Monday, March 1, 2010

Rough Mixes: One Way It Might Look

Victory Music asked me to write for the now on-line only Review a while back, and this is the first one I've gotten in. Calling the column, however regular it might be, “Rough Mixes” ...

“Want to know one of the great things about being a musician?” I asked the students assembled in front of me for the first of six school presentations recently: “Gigs rarely start at 8:00am.”

Regarding my invitation to speak here on theme ‘doing what you love’, of course, the fix was in (as it so often is). One of my band-mates teaches in the district, and I’ve backed up his choirs going on five years now—it’s not like I made some exclusive cut or won the Yellow Pages/Google lottery. Just the same, I’ve learned that the narrative can assume markedly different appearances based on what details I choose to omit. For example: “Wes Weddell was pleased ‘Musician’ made the cut at a local middle school’s Career (‘Impact’) Day, and honored to be asked”, read my third-person vain Facebook status that afternoon, rather than “friend-of-a-friend called in a favor”, which would have been no less accurate. One’s a whole lot more romantic, though—and feels a whole lot more validating.

This brings me to what has become one of my stock phrases when describing many facets of the ‘scene’: “It’s not about what you’re doing, it’s about what people think you’re doing.” Problem is, I resent the hell out of this perception, and I still care tremendously about the art itself, while the marketplace tends also to weigh a few other factors that may or may not overlap with my creative skill sets.


Read the whole thing here.

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